Barack Obama and Leonard Bernstein
George W.Bush, of course, represents a particular kind of offence to European sensibilities. He blew out Kyoto, instead of pretending to care about it and then not implementing it, which is what our hypocrisies require. He took no exquisite pains to make us feel consulted. He invaded Iraq in the name of freedom and then somehow allowed torturers to photograph each other in the fallen dictator’s house of tortures. He is not going to run Franklin Roosevelt a close race for nomination as the second greatest president of the US.
But even if he had been a half-Chinese ballet-loving Francophone, he would have been hated by some who should have loved him, for there isn’t an American president since Eisenhower who hasn’t ended up, at some point or other, being depicted by the world’s cartoonists as a cowboy astride a phallic missile. It happened to Bill Clinton when he bombed Iraq; it will happen to Mr Obama when his reinforced forces in Afghanistan or Pakistan mistake a meeting of tribal elders for an unwise gathering of Taleban and al-Qaeda. Then the new president (or, if McCain, the old president) will be the target of that mandarin Anglo-French conceit that our superior colonialism somehow gives us the standing to critique the Yank’s naive and inferior imperialism.
Often those who express their tiresome anti-Americanism will suggest, as do some of the more disingenuous anti-Zionists with regard to anti-Semitism - that they, of course, are not anti-American, and that no one really is. But, coming as I do from an Anti-American tradition that wasn’t afraid to proclaim itself, I think I know where the corpses are interred. For example, the current production of Bernstein’s Candide at the English National Opera is a classic of elite anti-Americanism, in which we are invited to laugh at the philistine invocation of “Democracy, the American Way and McDonald’s”. The laughter that accompanied this feeble satire showed our proper understanding that we, the audience, had a proper concept of democracy, and would never soil ourselves with an Egg McMuffin.
The true irony went way above the sniggerers’ heads, which was that Leonard Bernstein was the American cultural import that we were, at that very moment, enjoying. But the prejudice is that American culture has had a negative influence on the world, tabloidising our journalism, subverting the gentle land of Ealing with the violent pleasures of Die Hard 10 and commercialising our most intimate lives. And so we have ever complained; my father, back in the early Fifties, once wrote an entire communist pamphlet about the terrible effect of Hollywood and jazz on the land of Shakespeare and Elgar.
This week you could hear the author Andrew O’Hagan on Radio 4, reading from his collection of self-conscious essays, The Atlantic Ocean, in which - despite his own claims - every impact of American life on Britain is somehow configured negatively. He writes of an exported popular culture “born in the suburbs of America” and defined as “Spite as entertainment. Shouting as argument. Dysfunction as normality. Desires as rights. Shopping as democracy.” This in the country that has sent Big Brother, Pop Idol, Wife Swap and Location, Location, Location over the Atlantic in the other direction, while taking delivery of Curb Your Enthusiasm and The Wire.
Point!:
I should admit that I am irked by O’Hagan’s dismissal of the “idiots who supported that bad and stupid war (ie, Iraq)” and am willing to match my idiocy against his intelligence in any debating forum that he cares to name. More interesting, though, is the desire to blame America. For all that O’Hagan claims that the US has lost its purchase on the world’s affections, it remains the chosen destination for the most ambitious of the planet’s migrants. For all that he claims that this change in sentiment is recent, I can’t help recalling those - the most honest - who commented, in journals he writes for and on the very day after September 11, that the Americans had had it coming.
Yes! Yes!!
So Barack Obama, en fête around the world, will one day learn that there is no magical cure for the envy of others. What makes America the indispensable power (and even more indispensable in the era of the new China), is precisely what makes anti-Americanism inevitable.
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